


TIME CAPSULE FROM THE HEART OF HISTORIC ROUTE 66

The Biddulph Dunton Dealership still stands on Route 66. Over the years it has served a variety of purposes including the Edsel dealership and a county building. Today the grandson of the founder operates an ATV and specialty car shop from this location.
This building is now a vacant lot east of the Power House visitor center on Route 66 (Andy Devine Avenue). The sign promoting motels without railroad noise is still in use.

As a point of reference the old power house, now the Power House Vistor center on Route 66, is in the foreground. Indications on the photo are that these delivery trucks are Willys-Knight models. The second photo is at the old Central Commercial Building, now undergoing restoration. Central Commerical also had stores in Oatman and Goldroad on Route 66.
WEEK IN REVIEW

GET A STRAIGHT EIGHT FOR THE MONEY


The central theme of advertisement was “Get A Straight Eight For Your Money”. Promotional material heralded, “Pontiac-the Big Car of the Low price Field.”
Numerous improvements and options ensured the buyer of a new Pontiac received real value for their hard-earned dollars. All new for 1934 were an improved intake manifold, “knee action“ front suspension, multi beam headlights, and a higher compression head.
The options list was a lengthy one that included dual side mounted spare tires, metal spare tire cover, bumper guards, Air Chief radio, heater, clock, and cigar lighter. Additionally buyers could select seat covers, spotlight, touring trunk or trunk rack, Supertone horn, Trippe lights, right hand sun visor, ash receiver set, right hand tail lamp, twin windshield wipers, and even a luggage set.
A wide array of body types was also available for 1934. The Economy Coupe, model number 34317, was the entry model with a list price of $675. Next was the Economy Sport Coupe, model number 34328, with rumble seat for $725.
The Economy Cabriolet, model number 34318, with a price of $765 was a high-end model with only the five passenger, four-door touring sedan, model number 34319, commanding a higher price, $805. In between were the standard four and two door sedans as well as a two door touring sedan.
For the collector these cars still offer excellent value for the dollar though they are relatively scarce, especially the coupes and open models. The primary obstacle in making them daily drivers is the torque tube driveline that prevents an easy resolution of the engine killing 4.55:1 rear axle ratios.
Availability of mechanical components makes it mandatory for owners to network. Trim items and accessories are quite scarce.
TECHNICAL
Engine – L-head, inline eight cylinder, cast iron block. 223.4 c.i.d., 3-3/16 x 3-1/2 bore and stroke. Compression ratio 6.2:1. Brake horsepower 84 @ 3800 RPM. Five main bearings, solid lifters, Carter 1V carburetor. Metered full pressure lubrication to all bearings.
Chassis – 3 speed synchromesh transmission with floor shift, single plate 10 inch clutch. Semi-floating rear axle. Four-wheel mechanical brakes
Economy tests results 19-24 miles per gallon.
Production – 78,859
THE QUESTION IS …
I have been following some spirited discussion on the AACA forum pertaining to restoration, street rods and when the line between the two is crossed. I must say these discussions have sparked some contemplative thought.
If a 1951 Chevy truck came with a 216.5 c.i.d. six-cylinder engine can it still be considered original if it now runs with a 1954 235 c.i.d. six cylinder engine? Would you consider it original if the original engine had been updated with insert bearings and a full pressure oil system?
What updates are acceptable before the originality is lost and if the vehicle is a regular driver what updates can be accepted to ensure the vehicle survives for another twenty, thirty, or forty years? Conversion from six to twelve volts, is this acceptable or does it depend on the extent of modification? Seat belts, turn signals, rear axle changes for highway speeds, all may be needed to make a vintage vehicle usable in modern conditions. Would this be acceptable?
Though my interest in street rods is less than zero there is a place for historic street rods or their recreation. As an example consider the faithful recreation of a 1933 Gilmore Gold Cup Racer by Don Small.
It should be noted, however, that even though most components of this car including dash, steering, light switches, etc, are restored originals he did not cut or customize a rare, original, steel bodied roadster choosing instead to go fiberglass. Perhaps he understood that original cars from the 1930s, or 1940s, 0r 1950s, or 1960s, are no longer mere used cars. They are historical artifacts.
This, as well as the increasing scarcity of original cars and the increasing availability of fiberglass bodies leads me to question the reason an individual would cut or extensively modify an original car. Mere selfishness or need for artistic expression can not explain this.
I would venture a guess that there is a societal element in this discussion. That element is a lack of respect or appreciation for history.
As the book review writer for Cars & Parts interesting books cross my desk rather often. One, however, I only found interesting in the same manner I find fascination with the technical aspects of the bombing of Dresden during World War II.
One section of the book discussed acquisition of suitable vehicles fro transformation into a street rod. It advocated deception as the owner of a 100 point restoration may not be willing to sell if they know a car is going under the torch.
I would have had trouble in the mid 1950s with seeing an original Model A cut and roded. Today, though I can appreciate the workmanship of a well built custom car or the engineering involved with transplanting modern mechanical components into a vintage chassis, it disgusts me to see an original car cut.
I understand that money is often a motivating factor in conversion as well crafted custom cars and street rods often command higher resale values than original cars. Still, there must come a point where we feel an obligation to future generations.
In recent years I have seen incredibly rare cars such as a Hupmobile Skylark turned into street rods. Painstakingly restored vehicles that are as a window into another era have been transformed into another street rod with Chevy drive train.
Somewhere in between obsession with originality and total disdain for anything original are those vehicles maintained and driven as intended. This leads us full circle to our original topic.
Where is the line crossed between originality and conversion, between customization and destruction?
In recent years there has been a trend in the old car hobby towards creating drivers rather than show cars. This is true in both camps with the rise of the rat rod and rough but dependable original vehicles as regular drivers being the result.
Blurring the lines between originality and customizing is the availability of quality fiberglass bodies, reproduction vintage speed equipment and accessorises, modern electronic components designed for older vehicles such as digital dashes and stereos designed to appear as original units. Approaching this from another angle one could ask what constitutes an original car.
If in 1958 an owner of a new Pontiac bought after market wire spoke wheels and you bought that car today with those wheels still on the car would this be considered original?
In 1937 my wife’s grandfather bought a new Ford. He drove it home and with only fifty miles on the odometer proceeded to improve on factory design by adding a hydraulic brake system, shaving the head and other slight modification. If this car survived to this date how would it be viewed?
If you were to restore a 1950 Hudson to complete originality with the exception of having added the Twin-H system how would the car be described? Can the addition of sealed beam lights to a 1934 Chrysler be seen as modification or customization?
Ultimately it comes down to the old adage beauty is in the eyes of the beholder. Perhaps, however, what is needed is tempering this philosophy with a sense of repsonsibility and appreciation for increasingly rare historical artifacts with wheels.